Known for his thought-provoking sidewalk portraits and inventive use of public spaces, Richard transforms the everyday into a canvas, turning overlooked moments of city life into compelling works of art.

Arriving in New York, Richard roamed the city attaching museum labels to common objects and sites which he calls Designated Art. This first of its kind art form was picked up by The New York Times with a major editorial: One Mans Fire Hydrant is Another Man’s Object Trouve. This was the beginning of a series of articles covering his different art projects.

A constant innovator, Richard is also recognized for his ability to subvert expectations by blending fine art techniques with the raw authenticity of street performance. His work is marked by its unassuming yet profound commentary on the human experience, echoing the dynamism and diversity of the cityscapes that inspire him.

Richard's work has been showcased in prominent museums, including the permanent collection at the Museum of Fine Arts in Boston, galleries in New York City, and major exhibitions such as Art Basel in Miami. These accomplishments have solidified his standing in contemporary art conversations, while his creative spirit remains profoundly connected to the streets. A true urban poet, Paul Richard continues to challenge the boundaries of where and how art can exist, bringing beauty to unexpected corners and engaging audiences in new ways with every piece.